You are invited to imagine your city as the safest city in the world for bees
For The Love of Bees is a living social sculpture that imagines Auckland as the safest city in the world for bees and all pollinators. Our project offers opportunities for businesses, students, individuals, schools, community gardens, brand partners and beekeepers to collaborate and produce a vision that will live on through the city of Auckland for years to come. Become a collaborator today!
We give you the know-how to turn your space into a Biological Pollinator Sanctuary, so you may become a vital piece of The Great Pollinator Patchwork.
Our mission is to empower citizens with the knowledge and skills so they can co-create a city that is truly safe for bees and pollinators, which will consequently be a city safe for microbes, humans and the entire ecosystem. The City Bee Collaboration will inspire and educate Aucklanders by pollinating the idea that everything in nature is connected. Our seemingly small loving actions towards nature and each other are powerful - they radiate and create a ripple effect that sweeps across our city and eventually our planet.
Equipping members of the public with the essential knowledge, tools and confidence they need to be able to support bees and pollinators in their own lives
Creating a range of exciting learning adventures that deliver those teachings in a way that is memorable, meaningful and motivating
Connecting and uplifting communities to recognise the power they hold together
Exploring avenues for large scale and lasting change - transforming parks, common spaces and local food systems
For The Love of Bees has evolved out of another bee focused social sculpture called The Park 2014-2015 which was co-created with Aucklanders, and initiated by artists Sarah Smuts-Kennedy and Taarati Taiaroa.
Social sculpture is unique, in that it invites the viewer to become a creator rather than an observer of the artwork. Sarah gravitated in this direction after realising that her earlier art-making practice maintained a separateness, where the observer of the content continued to remain outside and unaffected by the field where the content was occurring. She became interested in finding new art-making languages that could function as a real agent for change.
The Park was activated, designed and materialised through public initiative across Auckland, New Zealand from May 3, 2014 to April 4, 2015. The Park's materialisation was mapped online through a collective line-drawing. The heart of The Park was located in the centre of Auckland City, in Victoria Park, which housed 6 beehives over a hexagonal Pasture Painting.
The artwork created moments of wilderness across the city and allowed people to simply see and be with bees for a whole year. It provided a form to mobilise people and gave them as individuals a way to practice caring for bees, and a means to make their empathy and care visible to others.
Andrea Reid was a participant within The Park. The experience inspired her to create Pollinator Paths, which is now written into the Unitary Plan.
Sarah was commissioned by the Auckland Design Office in 2016 to create another social sculpture to activate the inner city. A city-wide collaboration was conceived which is called For the Love of Bees, an artwork where real transformation of the city’s ecosystem will occur through community-led actions.